LIGHT SENSOR

  

PLACEMENT

  
LIGHT SOURCES
 
PHYSICAL VARIABLES
 
SAMPLE SOURCES
 
EFFECT ON SOUND
  
FRUITION
LS 1 (ctrl) attached to glass window natural light (bright and twilight) realative earth / sun position + local weather + local architecture bass-tending ambient field recordings
parametric processing: volume (silent = dark), tuning, panning, sample lenght, ressonance frequency		 contemplating: soundscape changing as slowly as daylight

LS 2 (ctrl)

 water parametric processing: volume (silent = dark), tuning, panning
LS 3 (note) natural light NYC field recording mix (people + environments) half-bright / dark = ON
bright = OFF
ON-OFF-ON = playback overlap

LS 4 (ctrl)   suspended in-doors  

natural light (twilight) + hanging fluorescent lamp (can also move)

  faint of day and/ or people interacting through body shadows and moving lamp 
(*)		     parametric processing: tuning, panning, sample length, sample start   contemplating or playing the soundscape with body and lamp shadow

(*)  people's degree of intervention on the soundscape is proportional to the absence of natural light;
likewise, the controllable range of light-shadow gradients captured by SL 4 tends to increase after sunset


diagram

 

view the architecture

 

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OUT-SITE LINKS:

adriana sa including
sounding light instrument components and